Theory

Research and Teaching

  • SA))_Gallery, Moscow, Russia 2021,  Workshop for composition and media art students: Listen to Moscow
  • Goethe Center Santa Cruz, Bolivia 2019, Workshop for composition and audio engineering students: Listen to Santa Cruz
  • hybrid platform, Visualization and Sonification, transdiscplinary Research of the UdK and TU Berlin 2016 http://www.hybrid-plattform.org/nc/veranstaltungen/hybrid-talks/detail/roundup-hybrid-talks-xxi-visualization-and-sonification/
  • Sound Studies University of Arts of Berlin 2015 , Artist-Talk at Mastercolloquium
  • Sound Studies, University of Arts of Berlin 2014 , Lecture
  • Lecture Series Technical University of Berlin 2012, Facultry Audio Communication, Electronic Music Studio, Artist talk
  • Lectureship University of Oldenburg 2012, „Soundbridges“
  • Lectureship University of Oldenburg 2012 , „Searching for new spaces of listening“
  • Lectureship University of Oldenburg 2011 , „How sounds red?“
  • DARB1718 Center Cairo, Egypt 2020,  Workshop for composition and media art students: Listen to the silence of Cairo

Bibliography

  • Jutta Ravenna in: Heroines of Sound. Feminismn and Gender in elektronic Music, S. Sanio und B. Wackernagel (Ed.), Hofheim: Wolke 2019, https://www.wolke-verlag.de/musikbuecher/sabine-sanio-bettina-wackernagel-heroines-of-sound-book/

  • Jutta Ravenna in: Sonification: Transfer into Musical Arts, program book with essays published during the festival Sonifications – Audible Data Streams, Julia H. Schroeder (Ed.), Wolke Verlag 2017http://www.wolke-verlag.de/sonifikation.html

  • Jutta Ravenna in: Kunsttexte.de – Auditive Perspectives: Body, Sound and Space. On the Concertinstallation „Rotation“ with Leslie-Speakers, 2017 https://edoc.hu-berlin.de/handle/18452/7551

  • Carsten Seiffahrt/ Markus Steffens: 1996-2006 singuhr-soundart Berlin, Cyan-Verlag 2010

  • Oliver Schneller: Sonic Arts in Germany, by DEGEM, The MIT Press 2002, pp. 101-104

  • Jutta Ravenna in: Starlings over Berlin: Aesthical Analogies of Birdsongs. Tilman Küntzel (Ed.), Pfau Verlag 2004

  • Sabine Sanio in: Soundart. Ringing Objects and Sounding Spaces. Handbook of Music of the 20th Century, Volume 12, „Autonomy, Intentionality, Situation. Aspects of an enlarged Art Term“ :Helga de la Motte-Haber (Ed.), Laaber-Verlag 1999

  • Jutta Ravenna in: singuhr-hoergalerie in parochial. „Where will sound-artists be driven, in their search for spaces in which their works can be produced and presented?

  • Soundart Exhibtion Catalogue, 1996-1998 Materialien zum Symposium Klang-Kunst-Räume 1998, Susanne Binas und Carsten Seiffahrt (Ed.), Pfau-Verlag 1998

  • Jutta Ravenna in: Music in Dialogue III. Soundart/Musictheatre „Inter-Vention in Public Space“, Pfau-Verlag 1999

  • Matthias Ludwig in: Light and Sound, The Data-Soundwindow of Jutta Ravenna, art and church, 1/99, Darmstadt 1999

  • Jutta Ravenna in: Fidesarte Nr. 18, Cataloghi d´astra, Rom 1998

  • Golo Föllmer in: Music…, changes. The Electronic Studio of the Technical University of Berlin 1953-1995, Soundinstallations, Wolke-Verlag 1996

Diskography

  • Antal Lux, Jutta Ravenna: Emphatic Chairs 4, Daten-Klangsäule

  • in: Home Stories , T-Systems Nova GmbH Berkom 2002

  • Jutta Ravenna: audio-visual extracts in: Degem-CD-ROM : Soundart in Germany, Wergo/ Schott-Verlag 2000

  • Jutta Ravenna: Quiet Phonemes (extract) in: LeiseLaute. Elektroacustic Music, Degem Audio-CD 3, Cybele 1997

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